Help restore this american classic...

This the forum board for the CM 101 class starting March 2013
ggroess
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Postby ggroess » Wed Mar 27, 2013 10:55 pm


A conundrum: how white is a white car?


interesting version..I  like it...

Greg

imported_Tanja
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Postby imported_Tanja » Wed Mar 27, 2013 10:58 pm

Hi Art,

I try the neutral point on my LR-Version, but plays there much to much before.
Can't do that to the people and lower the opacity. Looking still ill, streets's still too yellow and no white car.
I have to start from the beginning.

Topaz Detail is one of the programs I use often. Hate the preview, but great program.

Do you have a online gallery. I would love to see some of your own pictures.

Greetings, Tanja

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ggroess
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Postby ggroess » Wed Mar 27, 2013 11:14 pm


Greg,
didn't find out what you mean.
Picture is still underexposed. Am I blind? Where can I bring in more black?
Rather want to bring it out.


When I looked at the image the shadows only...looked incomplete.  you are not blind...When you bring up the shadows as far as you did in this image you can get incomplete shadows.  The quick fix is to go to CMYK and tweak only the shadow end of the K channel to add some black directly back into the image.  I use K because it is a subtle channel when it comes to this kind of adjustment.

Greg

imported_Tanja
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Postby imported_Tanja » Wed Mar 27, 2013 11:28 pm




When I looked at the image the shadows only...looked incomplete.  you are not blind...When you bring up the shadows as far as you did in this image you can get incomplete shadows.  The quick fix is to go to CMYK and tweak only the shadow end of the K channel to add some black directly back into the image.  I use K because it is a subtle channel when it comes to this kind of adjustment.

Greg


Hi Greg,

mabe you have an example for that later on.
I look at the picture today for one hour and thought: What is he mean?
Thought you were kidding to me  ;).
Everything I try in the K-channel makes the picture only darker.
Would be great, when you explain it by time on an example. I'm overchallenged to see it by myself, but sounds important.

Greetings, Tanja

imported_artmar
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Postby imported_artmar » Wed Mar 27, 2013 11:33 pm

Hi Tanja,

Yes, I can see that the hues are not quite what you're aiming for. A valiant effort nevertheless! I'm looking forward to seeing your next version.
By the way, have you tried Topaz InFocus? You can sometimes obtain even more subtle sharpening than with Detail, if needed.

I've just opened a Flickr account, and am uploading photos to it. I've only uploaded two so far, but I'll have a more representative collection uploaded in the next week or two and will let you know. I appreciate your asking!

How about you -- anywhere I can see your photos online?

Cheers,
Art

ggroess
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Postby ggroess » Thu Mar 28, 2013 2:26 am


A conundrum: how white is a white car?


As white as possible without losing shape and form...
Greg

ggroess
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Postby ggroess » Thu Mar 28, 2013 2:29 am


First in CM in RGB did Shadow highlight and neutral in PS Dans Bigger hammer and then Dans Shadow/Highlight. Back to CM in Lab Did neutral of clouds right, Shadow and Hightlight (one that is significant) thus white shirt of gentleman right. Have'nt done any noise reduction or sharpening. Total time, about 2 minutes


Hey Martin,
Glad you could join us...
The car is whiter than your image shows.  you have great shape but the whites are way too dark...
Care to have another go at it??
Greg

ggroess
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Postby ggroess » Thu Mar 28, 2013 2:38 am





When I looked at the image the shadows only...looked incomplete.  you are not blind...When you bring up the shadows as far as you did in this image you can get incomplete shadows.  The quick fix is to go to CMYK and tweak only the shadow end of the K channel to add some black directly back into the image.  I use K because it is a subtle channel when it comes to this kind of adjustment.

Greg


Hi Greg,

mabe you have an example for that later on.
I look at the picture today for one hour and thought: What is he mean?
Thought you were kidding to me  ;).
Everything I try in the K-channel makes the picture only darker.
Would be great, when you explain it by time on an example. I'm overchallenged to see it by myself, but sounds important.

Greetings, Tanja


Tanja,
I re-looked at this on my primary monitor...I was working from a laptop earlier...It is in a better place than my laptop shows it. 

The K channel can help you in situations where you have opened the shadows with very strong curve moves or actions.  In general you will see blue or muddy blue shadows kind of like the deep shadows int he Hawaii picture.  in these cases the K channel can complete the shadows...
That is what I thought I was seeing...obviously not on my primary monitor...sorry to wild goose chase you...
Greg

imported_artmar
Posts: 327
Joined: Fri Mar 15, 2013 4:33 pm

Postby imported_artmar » Thu Mar 28, 2013 10:42 am

As white as possible without losing shape and form...
Greg

OK, understood.

Cheers,
Art

imported_Tanja
Posts: 294
Joined: Mon Feb 04, 2013 2:15 pm

Postby imported_Tanja » Thu Mar 28, 2013 3:09 pm

Here is my third try. Road is a little bit more grey, car a little bit whiter.
Maybe I try one more color correction ;-)
Instead of false profile I use gamma correction from an exposure-layer.
Must be the same. Or not?



Thanks, Greg!
I have to try this on the canyon-picture.
I know that problem with the laptop-screens. Only work on that and surly need a better monitor ;-)


Hi Art,

I annoyingly only buy Topaz Details, Adjust and Clean. Never use the last ones.
InFocus looks great. I have to checkout the trial version and compare to LR and PS methods.
Or maybe we can compare it here in the class!?

Hm, I don't know, if I can wait one or two weeks for seeing your pictures.
Two pictures now and the rest later? ;-)

Here are some of mine:
www.tf-oto.de

To small, I kow. Had to change this, but lost some of the originals by harddrive-crash.
Also I have to upload more pictures, but first find them. Somewhere here on the external harddrives ;-)


Greetings, Tanja
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