Sun Moon Lake 2
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Hello Ganna,
You need not curve the mask. The idea is that you want the mask to be all black or all white. Think of the mask as a "silk screen" the only parts of the image that are effected under the mask are the white parts.
I think you might be combining channel blending and masking or at least trying....the clouds should be black in your mask and that will protect them from the blue sky adjustment.
Greg
You need not curve the mask. The idea is that you want the mask to be all black or all white. Think of the mask as a "silk screen" the only parts of the image that are effected under the mask are the white parts.
I think you might be combining channel blending and masking or at least trying....the clouds should be black in your mask and that will protect them from the blue sky adjustment.
Greg
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- Joined: Tue Nov 07, 2006 11:41 am
Greg, thanks for your answer. I'm a bit unsure as to what is happening when you curve a mask. Do you then get grey areas in between black and white? I saw "Luminous masking" tutorial a while ago where you get detail out of the shadows without affecting the highlights. I presume that having grey in a mask would have a gradual effect in that case. Do you sometimes use a curved mask in CM?
To me...
Masking is a black and white process literally...I use a mask to protect something.
If I want to sort of protect it I would go with a channel blending.
I think of masks like a sheet of Rubylith just as the text describes it. When you use real Rubylith you cannot cut part of the ruby layer off. It is an all or nothing process, like stripping paint from a window...
I recently saw a color selection process for skin tones that sounds similar to what you are talking about. I have not played with curved masks. So far I have seen no direct need but I'm open to suggestion.
Greg
Masking is a black and white process literally...I use a mask to protect something.
If I want to sort of protect it I would go with a channel blending.
I think of masks like a sheet of Rubylith just as the text describes it. When you use real Rubylith you cannot cut part of the ruby layer off. It is an all or nothing process, like stripping paint from a window...
I recently saw a color selection process for skin tones that sounds similar to what you are talking about. I have not played with curved masks. So far I have seen no direct need but I'm open to suggestion.
Greg
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- Posts: 4927
- Joined: Fri Sep 20, 2013 8:29 pm
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- Posts: 4927
- Joined: Fri Sep 20, 2013 8:29 pm
better...
I think it is getting used to seeing the details that takes the longest time.
I was taught by a very good photographer many years ago so I do sometimes see too much in the images...
I usually do a visual check on the images when i am done to make sure everything makes sense.
I am completely aware that it is easy to sit here and arm chair quarterback you guys...I always do a "re-correction of the images along with you so I remember the stuff that I need to make you aware of.
Greg
I think it is getting used to seeing the details that takes the longest time.
I was taught by a very good photographer many years ago so I do sometimes see too much in the images...
I usually do a visual check on the images when i am done to make sure everything makes sense.
I am completely aware that it is easy to sit here and arm chair quarterback you guys...I always do a "re-correction of the images along with you so I remember the stuff that I need to make you aware of.
Greg
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