While working through the skin tone pinning exercise in Week 3's class, I wondered if Curvemeister could be used to correct overexposed areas of skin, in addition to applying/correcting the skin tone.
Thanks
Bill
Skin Tone Pinning - Overexposed Skin Areas?
-
- Posts: 13
- Joined: Thu Jul 31, 2008 10:58 pm
Hey Bill,
I took a look at the image and here is what I would do.
Using Lab Mode
Adjust the curve to bring the highlight back into place a bit.
Set a neutral on the back wall behind her...and pin using a nice skin tone.
This is a very common problem as you point out...I hope this is an acceptable solution for you...
You can load the ACV file from inside CM by clicking on the load button and selecting the file.
Greg
I took a look at the image and here is what I would do.
Using Lab Mode
Adjust the curve to bring the highlight back into place a bit.
Set a neutral on the back wall behind her...and pin using a nice skin tone.
This is a very common problem as you point out...I hope this is an acceptable solution for you...
You can load the ACV file from inside CM by clicking on the load button and selecting the file.
Greg
Very nice image. Here's a quick take on the sort of thing that can be done with this image, using the L channel of Lab.
1: is a threshold move that gives a little more wiggle room for shadow detail.
2: controls shadow detail, and detail in the darker clothing and hair.
3: controls detail in the background woman's face. It's interesting that you can move this point around a fair amount without affecting detail elsewhere
4: controls the contrast of the main subject's face
5 and 6: form a "lizard tail" maneuver, point 6 adding detail in the highlights while point 5 keeps the remainder of the curve from bowing out.
1: is a threshold move that gives a little more wiggle room for shadow detail.
2: controls shadow detail, and detail in the darker clothing and hair.
3: controls detail in the background woman's face. It's interesting that you can move this point around a fair amount without affecting detail elsewhere
4: controls the contrast of the main subject's face
5 and 6: form a "lizard tail" maneuver, point 6 adding detail in the highlights while point 5 keeps the remainder of the curve from bowing out.
-
- Posts: 4927
- Joined: Fri Sep 20, 2013 8:29 pm
-
- Posts: 4927
- Joined: Fri Sep 20, 2013 8:29 pm
-
- Posts: 4927
- Joined: Fri Sep 20, 2013 8:29 pm
Return to “July 2008 Curvemeister 101”
Who is online
Users browsing this forum: No registered users and 4 guests