I would say you should try more corrections in HSB especially very colorful ones. It can be a great area for specific images.
I love HSB! I've not yet found a use for the H, and the B is the same as L as far as I can see so I don't use that much either. But the Saturation curve is, on occasion, incredibly useful.
I've attached an image of the Red Arrows display team. They flew by with their colourful smoke trails on, and it's these trails and the red planes themselves that are the focus of the image. The problem is that there's a cloud of fainter red smoke lingering in the air from a previous pass. The challenge with this image is to pump up the colour in the trails and the planes without pumping up the colour in the lingering red smoke.
The first image shows what happened when I boosted the saturation in LAB mode. The trails and the planes came up a treat, but so did the lingering smoke. The focal points of the image remain lost in the background. Isolating out that background red smoke is possible but tricky - it's the same colour as the red smoke in the trails I want to highlight, so how do you boost one without boosting the other?
The answer (or at least, my answer) is the saturation curve. The colour in the planes and the smoke trails is more saturated than the fainter colour in the background. It's the same colour, just less saturated. Remember that the S curve has less saturated colour at the lower left end and most saturated colour at the upper right. That means the colour I want to boost is at the upper end of the S curve so that's the bit I steepen. The fainter background smoke is less saturated, so that information is in the lower end of the curve, which I pull down to reduce its appearance in the image.
This solution whacks up the brilliant smoke from the planes and makes it the highlight of the image. I'm not sure how you'd do this so effectively with any other colourspace.