Mike has asked me to shoot the image from a canyon that cannot be improved in LAB.
I know you all love a good challenge.
My best result is in RGB so far....
This image was shot at sunset it is a lengthy exposure....
Give it a shot...
Greg
Canyon Conumdrum
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The rock in the foreground is too blue.....Try it in RGB and set a reasonable neutral and you will see what I mean...
Mike's challenge to me was..."go on vacation and try to shoot an image of a canyon that cannot be improved in LAB."
90+ percent of the images I shot last week can indeed be improved in LAB...I found this one to be a real problem child...I will post my RGB later this week....
Greg
Mike's challenge to me was..."go on vacation and try to shoot an image of a canyon that cannot be improved in LAB."
90+ percent of the images I shot last week can indeed be improved in LAB...I found this one to be a real problem child...I will post my RGB later this week....
Greg
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The rock in the foreground is too blue.....Try it in RGB and set a reasonable neutral and you will see what I mean...
Mike's challenge to me was..."go on vacation and try to shoot an image of a canyon that cannot be improved in LAB."
90+ percent of the images I shot last week can indeed be improved in LAB...I found this one to be a real problem child...I will post my RGB later this week....
Greg
What are the characteristics of an image that make it unsuitable for correction in Lab mode?
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Well for me it has been the fact that no matter what I do to it I cannot make it look like it should. I cannot get rid of the yellow green cast when I set a single neutral.
Here's my fix. I also couldn't get anything decent looking from lab mode. Looking closely at the image with the aid of the hue clock, you can see there's a blue cast which gets deeper as the tones get darker. I think that's the key; the CM help text says that RGB is good at fixing problems where a colour cast is associated with a change in brightness, and that's exactly what we have here. I can't claim to understand the theory why that's true, but the curve shown below does get a decent result.
After the colour fix with RGB mode, I added another conventional pass in Lab mode to lift the brightness and increase the saturation. It's actually possible to lift the brightness to the point where it looks like a daylight shot, but since it was a long exposure sunset shot I tried to keep it a bit dark and saturated, like perhaps the view appeared at the time.
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I think that is absolutely excellent Derek,
I'm puzzled by one thing - I tried to copy your curves to see what was going on, and I noticed that I could not get the histograms to be anything like yours (see below), especially the red and green channels - so I guess you did at least 3 passes. The first to lighten, then RGB, then Lab - is that right?
I had this problem on the course where I could not get my histograms to look like other people's - Mike suggested the difference between precise mode being on/off.
Does anybody else have this problem with histogram representation?
Thanks
Chris
I'm puzzled by one thing - I tried to copy your curves to see what was going on, and I noticed that I could not get the histograms to be anything like yours (see below), especially the red and green channels - so I guess you did at least 3 passes. The first to lighten, then RGB, then Lab - is that right?
I had this problem on the course where I could not get my histograms to look like other people's - Mike suggested the difference between precise mode being on/off.
Does anybody else have this problem with histogram representation?
Thanks
Chris
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